THE YELLOW TICKET
The film was made at the end of World War I, on the eve of the Russian revolution, and includes precious footage of the former Jewish quarter of Warsaw and the people who once lived there.
Click here to read the Alicia Svigals article in Centre Stage magazine .
MEMBERS BRING A FRIEND FOR FREE! (ACCESS 2for1 BFF TICKETS!)
UNIVERSITY & COLLEGE: $25 // HIGH SCHOOL: $5
Upgrade your ticket to a VIP Sweet Seat for just $30 more. You can sit in any of our exclusive box suites for an even sweeter view!
“When I see the interiors of the film, I smell the apartment of my great-grandmother [who emigrated from Odessa]... It’s a magic, rare, strange, mysterious, fascinating little item. It’s like photos of my great-grandparents come to life.” - Alicia Svigals
Alicia Svigals, a founder of the Grammy-winning Klezmatics, is a composer, vocalist and the world's foremost klezmer violinist, who almost single handedly rescued that fiddle tradition from the brink of extinction with her recording Fidl. She was an NEA MacDowell Fellow in 2014, an honor for first-time fellows of “extraordinary talent.”
Directed by Victor Janson and Eugen Illès the film, was made at the end of World War I and on the eve of the Russian revolution. It stars an adolescent Pola Negri, who would later become the legendary femme fatale of the silent era, and tells the story of an innocent young Jewish woman from a Polish shtetl who is constrained by anti-Semitic restrictions to lead a double life in a brothel while attempting to study medicine in Tsarist Russia. The film includes precious footage of the former Jewish quarter of Warsaw and the people who once lived there. Pre-eminent film scholar Tom Gunning said about the score: “I believe this accompaniment to The Yellow Ticket is one of the most powerful I have heard. It evokes not only a sense of the contemporary context of the culture in which the film took place, but our awareness of what was done to it afterwards. The sound of piano, violin and the human voice evoke passion, energy and a profound sense of mourning, bridging the historical distance between us and this film as eloquently as does Pola Negri’s extraordinary face.”